Installation

Facial Weaponization Suite

2012–14

Facial Weaponization Communiqué: Fag Face (2012)

Related Bibliography

Editors of ARTnews, Art in America

“The 100 Best Artworks of the 21st Century.” ARTNews.

Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making “collective masks” in workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies. The masks are used for public interventions and performances. One mask, the Fag Face Mask, generated from the biometric facial data of many queer men’s faces, is a response to scientific studies that link determining sexual orientation through rapid facial recognition techniques. Another mask explores a tripartite conception of blackness: the inability of biometric technologies to detect dark skin as racist, the favoring of black in militant aesthetics, and black as that which informatically obfuscates. A third mask engages feminism’s relations to concealment and imperceptibility, taking veil legislation in France as a troubling site that oppressively forces visibility. A fourth mask considers biometrics’ deployment as a security technology at the Mexico-US border and the nationalist violence it instigates. These masks intersect with social movements’ use of masking as an opaque tool of collective transformation that refuses dominant forms of political representation.

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Fag Face Mask - October 20, 2012, Los Angeles, CA

Facial Weaponization Communiqué: Fag Face

Fag Face Scanning Station, reclaim:pride

Mask - May 31, 2013, San Diego, CA, 3D render

Mask - November 20, 2013, New York, NY, 3D render

Mask - May 19, 2014, Mexico City, Mexico

Mask - May 19, 2014, Mexico City, Mexico, 3D render

Zach Blas, Facial Weaponization Suite, Sonic Acts Festival

Credits

Performers and Participants: Kalvin Henely, Andrew Hibbard, Michelle Lee, Scott Kepford, Martabel Wasserman, David Evans Frantz, Christina Aushana, Ahmad Halis, Dorothy Lee, Mona Liu, Patrick Shin, Allison Spence, Oona Tikkaoja, Tahiez Toro, Dominic Bradley, Katrina De Wees, Anaze Izquierdo, Sara Lyons, Kirya Traber, Omar Aguilar, Mariana Arenas, Andrea Bravo, Helena Chávez, Rosa Almendra González, Claudia Hevia, Natalia Millán, Edalid Mendoza Orestes Montero, Daniela Negrete, Daniel Rodríguez Perez, Martin Rivera, Maria Cruz Rodríguez, and L. Salazar
3D Modeling: Scott Kepford, The Great Nordic Sword Fights, Sergio Del Castillo Tello, Danilo Gasques Rodrigues, and Fernando Nos
Fabrication: Machine Histories
Photography: Christopher O’Leary, Tanner Cook, David Evans Frantz, Dominic Paul Miller, Christine Butler, Orestes Montero Cruz, and Oliver Santana
Supported by Medialab Prado; b.a.n.g. lab, Performative Nanorobotics Lab, California Institute for Telecommunications and Information Technology, Visual Arts, University of California, San Diego; Eyebeam; and Museo Universitario Arte Contemporáneo

Facial Weaponization Suite

Credits

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